{"id":3928,"date":"2018-03-13T06:49:37","date_gmt":"2018-03-13T06:49:37","guid":{"rendered":"https:\/\/barodevel.com\/?page_id=3928"},"modified":"2026-02-13T08:19:10","modified_gmt":"2026-02-13T08:19:10","slug":"the-company","status":"publish","type":"page","link":"https:\/\/barodevel.com\/en\/the-company\/","title":{"rendered":"The company"},"content":{"rendered":"

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One of\u00a0the company’s\u00a0acrobats recently said that his first memory with Baro d’evel was meeting us by making a wall of paper of 80 posters glued to each other. This story reveals a lot\u00a0about how the company works. Our research is not partitioned. All the artists,\u00a0but also\u00a0every\u00a0collaborator and technician involved,\u00a0move and\u00a0influence each other in their specificities.
\nOur driving challenges are to put ourselves in danger artistically, to seek a total form of art. We thrive for crossroads and\u00a0encounters while seeking excellence of each discipline. It’s an arduous and daily work, we mix movement, acrobatics, voice, music, matter, but our real singularity is to incorporate the presence of animals in this quest. Our performance spaces are thought like caskets where the animals bring a spontaneous and intense emotion. The audience is penetrated by the presence of the animals, another perception of the representation begins with their appearance.
\nWe like to take the risk of precise writing, while being ready to improvise at every moment, and to\u00a0install a layered dramaturgy, like interior poems\u00a0forming a bigger one.
\nIt is a paradox to have\u00a0screenplays both strictly detailed and utterly free, but it is a way for us to always\u00a0seek for the rightness of the moment, to\u00a0represent what slips from us, what is told in spite of us.
\nWe like to think of performances as ceremonies, a re-enchantments. We aim to\u00a0represent\u00a0all these disciplines, to\u00a0bring animals, children and artists on stage. We want our shows to take the\u00a0viewer into an inner labyrinth,\u00a0in\u00a0a waking dream.<\/p>\n

Camille Decourtye<\/a> and Bla\u00ef Mateu Trias<\/a><\/p>\n

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