{"id":3864,"date":"2018-04-03T15:23:24","date_gmt":"2018-04-03T15:23:24","guid":{"rendered":"https:\/\/barodevel.com\/?page_id=3864"},"modified":"2023-06-20T10:16:35","modified_gmt":"2023-06-20T10:16:35","slug":"mazut","status":"publish","type":"page","link":"https:\/\/barodevel.com\/en\/mazut\/","title":{"rendered":"Maz\u00f9t"},"content":{"rendered":"

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INDOOR SHOW
\nCREATION JULY \u00e8, \u00e7\u00f9\u00e2\u00e7 AT FESTIVAL MONTPELLIER DANSE
\nRERUN ON OCTOBER \u00ea, \u00e7\u00f9\u00e7\u00e2 AT TH\u00c9\u00c2TRE DE LA CIT\u00c9 \u00d6 TOULOUSE<\/p>\n

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Maz\u00f9t is a piece that represents a turning point in the company’s research trajectory; it allowed Baro d’evel to continue opening up its languages. It was the starting point for the creations that followed, Bestias<\/em> and the diptych L\u00e0, sur la falaise<\/em>.<\/p>\n

Paradoxically, this piece has been little seen, which is why we wish to bring it back on tour.<\/p>\n

Maz\u00f9t was born from the duet of Bla\u00ef Mateu Trias and Camille Decourtye on stage, but the solidity of the piece allows the company to consider a first experience of transmitting a repertoire with the performers Valentina Cortese and Julien Cassier.<\/p>\n

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